"Good and True" (6x8") oil on wood
Saturday, March 28, 2015
Thursday, March 26, 2015
Finished this 16x20" oil canvas titled, "Newcastle Cat #3". I havnt posted the first two versions but I may do that soon. The first two versions are completely different compositionaly. It took me years to fully understand why Winslow Homer did seventeen versions of his"Gulf Stream" painting...I can see now that he was trying to figure it out...visually problem solving..trying it a slightly different way...sometimes I feel like I have to try something new until the feeling of unresolved issues stops haunting my dreams. Stand by for versions 4 thru 20...heehee, maybe not.
Wednesday, March 25, 2015
Donald Jurney and I painting Marginal Way, Ogunquit.
I ended up wiping away my start and retreating after a few hours but Donald got a really nice one.
I equate it to fishing with a buddy....even if you don't catch one, you still had a good time..pretty sweet when you do catch one though. Donald is amazingly consistent. I am gearing up my chops for another season of outdoor painting in Ogunquit...I'll be teaching another season of Plein Air painting Tuesdays with the Ogunquit Summer School of Art starting in May. If you wish to join us, if it's anything like last year, it's going to be a blast painting outdoors in this gorgeous place. Here is a link to our new Website for the summer school:
(I put an image link to the school on the left side of this blog that will always be there for your future use)
or a direct link to Plein Air Tuesdays
Friday, March 20, 2015
Through sleet, snow and sub zero temperatures, the brave, plein air painter takes refuge inside his warm car with a cup of coffee and the tunes playing. I had a quick 45 minutes between dropping off my son at Lacrosse practice and picking up my daughter from day care. This snazzy little 5x7" pocket pochade box is perfect to bang out a quick one in the front seat. The lid will hold a wet painting and if you use a minimal palette, you can be painting in minutes. I'm using Cad Yellow medium, Alizeran Crimson, Ultramarine Blue, Burnt Sienna and Underpainting white....thats a little Liquin in that pallet cup too. Easy-peazy.
(5x7") oil on linen study "Winter sky Portsmouth 2015"
Sunday, March 15, 2015
Look at those smiles...Those are the real deal!! Just painted all weekend with my good friend and painting partner, Chris Volpe on a weekend painters get-a-way to the White Mountains in Bartlett, New Hampshire. Long over due...good times.
Champney pretty much nails it here, "..New Hampshires splendid scenery has been an enduring inspiration to countless landscape artist". Well said my good man!!!
Breathtaking little nooks were everywhere.
Volpe scouting a spot...feeling the presence of art heroes who painted these same locations.
My set up.
Check out this little gem by Volpe...Fresh, gritty pallet knife work. We talked a lot about past masters but also chatted about contemporary painters who inspire and are doing exciting things with paint. Particularly some of the Pennsylvania Academy of Fine Arts painters who seem to be chasing something...sometimes referred to as "Deconstruction"...a painterly, almost crude application of paint, sometimes using palette knife to create a sometimes battered textural surface... an attempt to avoid formulaic painting and composition. These are some of the hot shots we were drooling over...Jon Redmond , Alex Kanevsky, Fred Cuming....
We scouted painting spots in Crawford Notch and Bretton Woods, where we stumbled upon the grandaddy of painting locations...the very Grand, Mount Washington Hotel.
A perfect spot for a future White Mountain workshop, but that may have been the scotch and stogies talking...Here is Volpe inside by the grand foyer.
It really would be perfect for a workshop, aesthetically stunning location with world class painting motif options, parking, bathrooms, restaurants, shops, spa, swimming pools inside and out, fire pits, movie theatre and it's own post office. The porch was enormous and served as perfect protection at snowfall.
...I'm thinking, yeah...definitely a future workshop destination...get on my mailing list to be privy to the date should we decide to do it. That would be really fun.
Volpe didn't want to leave...I think he did three paintings on that last afternoon.
Me feeling very Italian with my old world lid and humongous shnozzola in profile.
A great weekend and I'm saying here and now...Painters weekends are good for the soul and are here to stay as an annual event.
Thursday, March 12, 2015
|Don Stone surrounded by our 2014 Monhegan Island workshop group in Don's Monhegan studio.|
He lived in Exeter, NH and had a summer studio on Monhegan Island in Maine. I had the good fortune to have met Don and visit his studio a number of times and he was always funny, warm and very generous with his time and knowledge. A couple of things I remember from my brief time with Don:
1) Visiting his Exeter studio and meeting him for the first time...I was still an illustrator and thinking of becoming an easel painter. Don generously spent a lot of time telling me of his story transitioning from being an illustrator to fine artist and encouraged me to stick with it...he pointed to a book shelf filled with hundreds of panels of stacked paintings. He pointed to them and said, "Thats my El-Stinko period"...they were plein air studies and they taught him how to really see like an artist..."We would get up in the mawnin and paint three by five o clock. After a week, thats twenty-one paintings. ..did that for years".
2) I would sometimes visit him in his Monhegan Island studio when I was teaching workshops there sometimes...I had heard when Don was younger, he met American painter, Aldro Hibbard (Thats like a baseball player meeting someone like Ted Willaims or Joe Dimaggio)...Hibbard was a legendary artist hero to many New Engalnders. Don recounted the meeting and said that Hibbard asked him what he thought the most important thing about painting was....Don replied, "Values"...Hibard paused, looked at him and said, "Value relationships"....so cool.
3) I would sometimes see Don on drop-off days at the Rockport Art Association, he always had a crowd around him..he was funny and there was often hilarious stories. One of my favorites was Don walking into the prestigious Vose Gallery on newbury street in Boston...One of Americas oldest galleries, highly regarded and only exhibiting deceased masters at the time....Don fell to the ground, faked a heart attack and layer there as if he was dead...He opened one eye, looked up at the gallery manager and said, "Will you let me in now?"
I hope they do Don, you were certainly one of the good ones. Rest in Peace.
Don's Obituary in the Boston Globe
Wednesday, March 11, 2015
|(8x10") oil on linen "Battis Farm winter study, 2015"|
|Beware of friendly looking notes, lest ye has the stomach for sub zero snow painting.|
This is a shot of Beaman Cole and his giant easel. He was painting a beauty when I arrived. Apparently there were as many as fifteen artist there. It was great fun and again, I wish I took more photos of some of the characters that came to paint...the snow was deep and hard to walk in so I simply set up and got it done...looks like this will be a semi-regular thing so stand by for posting of future outings...maybe you can join us some time.
|Donald Jurney, Elaine Miller and me.|