Monday, October 26, 2009

Max 2


This a small oil painting I did of Max from photo reference I took in the summer of 2008. I did the drawing last December and I just got around to finishing this for my wife as a gift for our tenth anniversary last week. Time really flies, particularly when you have a little wipper-snapper. What a joy watching my little rug-rat grow, I can't believe he'll be three in January.

Monday, October 12, 2009

Dirty Oar


This is an (11x14")oil painting on wood panel that I'm calling "Dirty Oar". The model is one of my best friends, Johnny Hames. He was perfect for what I was after in this painting; A dirty, hard-working fisherman type. For me, I think it's helpful to know the model when you have something specific in mind. Johnny was perfect because he's so filthy and dirty...some may even use terms like scummy, disheveled or scuzzy-filth-bag. I did, however, have to struggle to create the painting in such a way as to not bring attention to the models enormous ear lobes..not to mention, his obscenely-colossal-mammoth-like nose. I think it would have detracted from the spirit of the piece. It's important to use artistic license when confronted with compositional decisions such as the ones presented here.

Friday, October 02, 2009

Patience (24x30")


This is an oil painting on wood panel that I titled,"Patience". It's (24x30") and is a much larger version of a smaller (6x8") painting I did last year that you can see by clicking here
I love the scale of this new version...nice and airy and quietly commanding attention. At one time in art school I was told to, "Learn the rules so you can break them". I think this painting is an example of that. The subject is smack in the middle of the composition but ironically, that's what makes it work for me. I'm using symmetry to convey stillness in the design. This was integral to the mood and feel that I was after in this painting; contemplating the lost art of simple silence, stillness and patience.

Thursday, September 24, 2009

Lines and Colors feature


I'm proud and grateful to be featured on Charley Parkers very popular art blog "LINES and COLORS". I've been reading it for several years and almost feel like "one of the cool kids" to be in the company of so many of my favorite artist. Check out Charley Parkers blog "Lines and Colors" here: LINES AND COLORS

Tuesday, September 22, 2009

Black and Blue


While driving down the cape, I caught a momentary-peripheral glimpse of some boats in a small cove in Eastham. I knew I would return first thing in the morning to capture them with the rising sun. I returned just after five a.m. and discovered an artist gold mine. A dozen dinghy's all bathed in that rich Cape Cod light...A string of pearls out there on the cove..OK, ...a little dramatic but what happened next convinced me that my passion may be moving into the uncomfortable area of obsession.

After taking reference photos of the boat you see here in the painting "Black and Blue", I looked around...no one there but me...I climbed in the boat and rowed around to the other dinghy's fixated on the brilliance of the light, the boats and the tranquil calmness of the water. The hair on my neck was standing.

I returned the boat exactly like I found it. That's not me or my personality to steal a boat..(borrow!)...I was in a state of mania...it was wonderful.

Monday, September 14, 2009

Old Red


This is "Old Red". It's 24x30" and is painted in oils on a linen canvas. It's a larger version of a painting I did a few years ago. You can see the older version here.

This painting represents my effort to achieve almost everything I'm after in picture making; simple design, singular focus of subject matter, a poetic use of color, texture and a full tonal range. I use these technical aspects to try and instill mood and character. I try to say something. 'Ol Red is a nod towards the leatherneck, craggy old sea salts who spend their rugged lives on rocky ships.. They are wise from the hard won knowledge of a life at sea. They smoke, drink, swear, tell dirty jokes and throw punches...their skin cracks when they laugh and sing. They are loyal to a fault...They are the old man and the sea...They are colorful New Englanders with nicknames like 'Ol Red. The chipped paint, the worn and weathered surfaces..it's all in there.

Thursday, September 10, 2009

Christine Hanson 09-11-2001


This is a small sketch I did of a two-and-a-half year old girl named Christine Hanson who perished aboard United Airlines flight 175 as it slammed into the Trade Centers south tower on September 11, 2001. She was from Groton, Massachusetts and at two-and-a-half she was the youngest of the 2,973 victims. Christine was traveling with her father Peter Hanson and mother Sue Hanson, they were on the way to California for a trip to Disneyland and to see relatives.

I didn't know Christine or her family but they will be in my thoughts and prayers today.

Monday, September 07, 2009

Watching the Sunrise


This is "Watching the sunrise". I have an affection for this painting. For me, it's about the afterthought of watching the sunrise with those little birds and sharing a quiet moment with nature. For me, the act of watching light and observing how it falls on objects is at the heart of what picture making is about. The way light hits something is the first thing that stops me as a painter. It can sometimes make the hair on the back of your neck stand up...you know you've really got something. That's how I felt when I came across this boat and the way the rising sunlight was creeping up the back and side. The birds were not really there, I put them in as a device to share the experience with.

I use symmetry in my design to achieve a sense of stillness in some of my paintings. That's what's going on here with the boat and it's mirrored reflection. Everything is still; the boat, the birds, the water..the only movement is the implication of a rising sun outside of the picture plane.
This is oil on masonite, (10x20").

Sunday, August 30, 2009

Morning Mist


I love painting and I also love looking at other artist work. There is a photographer from Canada named Peter Bowers, who's work I find incredibly powerful, simple and poetic. His work, for me, represents our quiet and respectful reflections on nature. His imagery possesses a lot of the things I'm personally after in picture making. The oil painting above, "Morning Mist", was completed using some of Peters inspiring photos. It's (16x20") and I painted it in oils on a wood panel. ( A thousand thank you's Peter for your permission ).
Peter could very well have a completely different take on what his work means to him but one of the great things about art is the notion of walking into a museum or gallery and simply falling in love with a piece because it moves you for whatever reason. In my opinion it's not terribly important to even intellectualize it..it simply moves me. It's a curious thing.
Last week an amazing and courageous women named Robin recently sent me this touching letter about what my paintings mean to her, I'm completely moved by her thoughts:
Hi Todd,
Joan called me and I purchased Shallow Water. She is sending it off this week. Cant wait. Thanks for your thoughts on paintings. I have my own thoughts on my attachments to them and what they represent to me. When I bought that first painting I had just finished my 8th round of chemo at Dana. I have Non Hodgkins Lymphoma. I have a daughter who had just turned three when I started my treatments so I worked hard to get into remission. I had tremendous support all around me family, friends ,church family etc. But cancer is a lonely battle, God guides you through it but he is all that can help during that dark time. So the first painting represented kind of a tight relationship and also rich colors and darker water. The second painting was lighter water and a solo boat, maybe as I got better and felt better and less depressed I was able to manage a bit better on my own. And I had to start to be independent again. And that painting mirrored my feelings. Now Im two years out, im feeling so much more positive and happier and very thankful. The water is soft and light filled and the sun is shining! God got me through the deep water and to safe place. I love that sunlight in the newer paintings. Canoe has an exuberance and playfulness which is just beautiful and it has the rich colors but with lots of light.
So I didn't mean to wax on for so long, but you were so open with me about how you feel about your work- I thought maybe you would like to hear about the effect your work has on others. I am excited to see what the future holds for your work and evolution as an artist.
A true fan always
Robin


You make it all worth it Robin, thank you...and thank you for your permission to post your letter...I'm a true fan of yours always.
Sincerely.

Wednesday, August 19, 2009

Winnipesaukee Canoe


This is "Winnipesaukee Canoe". It's 11x14" and painted in oils on a gessoed wood panel. My wife recently told me that "Winnipesaukee" is a native American term that means, "Beautiful water in a high place". We just got back from vacationing on lake Winnipesaukee and the translation is right on the money..We had a really nice vacation and I came home relaxed, inspired and ready to hammer out some new work. The opening was very special for me, my family and friends traveled from far-away places to come and see the show. I was sincerely touched by the support.

This canoe was painted with reference from Thompson Lake in Maine but it could be just about any New England lake in the summer. The mood of this piece for me is set by the transparency of that water in the foreground. It's that moment standing on the dock and simply taking it in..a day-dreamy moment, gazing into the shallows and drinking in the quiet and stillness of the surroundings. With this piece, as well as "Survivor", I have included more of the landscape in the composition.

Monday, August 03, 2009

Survivor


"Survivor" (11x14") oil on wood.

This may be my last post before my gallery show opening reception this coming Friday, so I'll repeat the where and when here:

The Gallery at Mills Falls
312 Daniel Webster Highway
Meredith, NH 03253
(on Lake Winnipesaukee)
Contact Christine Hoedecker-George for inquires (hodecker@metrocast.net) or call the gallery at (603)279-3123
Opening reception for Todd Bonita new oil paintings "Boats" August 7, from 5-9p.

I've had a few emails asking if my work will be up after the show..just to be clear, the gallery represents my work so God willing, I should have some paintings on the wall throughout the year. Please feel free to stop in any time to have a look. It's a beautiful part of the lake, lots of shops, cafes and things to do and see. Alison, Max and I are making a vacation out of it and will be spending the week. Hope to see you there.

Tuesday, July 28, 2009

Lake Cove


This is "Lake Cove" it's (18x24") oil on canvas. This is part of my one man show at "The Gallery at Mills Falls" in Meredith, NH on Lake Winnipesaukee. The show is in two weeks..Friday, August 7, from 5-9pm. I have thirteen new paintings in the show and a bunch of small studies as well. This should be fun as I have invited quite a few characters. Alison, Max and I are going to make a week vacation out of it. Please feel free to come to the opening and join us.

The Gallery at Mills Falls
312 Daniel Webster Highway
Meredith, NH 03253
(603) 279-3123
Click here for Mapquest directions

Monday, July 20, 2009

Foggy Cove Dory


Here is one of the paintings I finished over the last month and a half getting ready for my show on lake Winnipesaukee. I've been busy painting and preparing for this show, which will be in three weeks (August 7th, from 5-9p) at The Gallery at Mills Falls in Meredith, NH. I have about fourteen new paintings for the show and maybe another eight small studies. I'll be posting them as I find time..I should really be in my studio right now but I miss posting regularly and wanted to post an update.

This is "Foggy Cove Dory" and is an 11x14" oil painted on a gessoed wood panel. This painting reminds me so much of the great state of Maine and the mysterious mood the coastal region has when the fog rolls in. This particular style of dory also reminds me of Maine. It's a classic fishing dory, the kind they used a hundred years ago to present. The design of this boat is simple and beautiful. I chose this specific angle to not only make the design of the painting work but to also show off the lines of this graceful and rugged vessel.
Thank you for looking..I'll try and post more from this show soon.
All the best.
Todd

Wednesday, June 10, 2009

Reflection


I finished this painting about two weeks ago but have been busy as a bee getting ready for my first one-man show coming up the first week of August, I'll post about that soon. Anyhoot, I finally had a chance to scan and post this tonight. My wife came up with the name for this about ten minutes ago; "Reflection". I'm a fan of the one-word titles..I think this is well suited for this painting. This is 11x14" oil on wood panel. the boat is from a reference photo I took on Cape Cod about three years ago..I did a similar version of this painting in 2006 and it's neat to see how much my work has changed since then by comparing them. Click this link to see the original version I called "quiet time": http://painting-life.blogspot.com/2006/07/quiet-time.html

After I tightened the drawing I pretty much painted this off the cuff, making up most of what you see here in the finish. This will be in my one man show August 7th at The Gallery at Mills Falls in Meredith, NH on lake Winnapasaukee.

Wednesday, May 27, 2009

Dreamer


Ask any artist and I'll bet they will admit to be notorious day-dreamers. I'm the worst when I'm driving on the highway. I miss exits all the time, it's really an issue..ask my wife, she'll tell you. I've not only missed my exit, but on several occasions I've continued on past several more exits before realizing I was in a deep day dream. It can be a major inconvenience but I love that peaceful state of mind. This painting is influenced by that blissful state of day dreaming..la-la-la...what? This is oil on wood panel. (8x6") and is currently available at The Art House gallery in Brewster, Mass on Cape Cod. Feel free to email me if interested in this piece.

Hope this finds you well..la-la-la...wha-who?

Tuesday, May 12, 2009

Shallow Water


This is another 6x8" oil painting that I recently sent to The Art House Gallery in Brewster. This dinghy was moored in just a few feet of water in Provincetown. I liked how it appeared to be weightless on the water. it's (6x8") and is painted on a gessoed wood panel.

Monday, April 27, 2009

Sunday


There is something about this painting that reminds me of a summer Sunday morning..clean and bright. This is a small 6x8" oil painting on wood panel that I sent to the Art House Gallery on Cape Cod.

Tuesday, April 21, 2009

Mourning Light


This is one of five new oil paintings I just sent to the Art House gallery in Brewster, Mass on Cape Cod. This is "Mourning Light" (6x8") oil on wood panel.

Wednesday, April 15, 2009

Dock 31


"Dock 31" (6x8") Oil on wood panel. This is one of a small series of paintings I'm working on for The Art House Gallery in Brewster, Mass. There are five 6x8" paintings in all.I'll post the rest soon. This one is "Dock 31"..simple as that. It's a cool looking boat with beautiful lines docked on dock #31 in Camden Maine harbor. To me, this is just a painting of a finely crafted vessel. Not different really than a still life painter who carefully chooses his subjects simply for the beauty he sees in them..or a figure painter who chooses a specific model or poses her in a particular manner because he admires the way the shapes, curves, lines and light create a unique design.

Monday, March 30, 2009

Scotty's Cove


This painting was inspired by the small town legend of a man named Scotty and the cove that was named after him. The following story is true...but quite frankly I can't confirm it..but it's a good one anyway.
I grew up in the small sea side town of Winthrop, Massachusetts and in the 1990's I rented a small studio right across the street from the Atlantic ocean. My back yard butted against a small cove that overlooked the Boston skyline and the Winthrop, Yacht club. It was in this cove that I met one of my neighbors, a very funny sign painter named Rick. For a fee, he would carefully adhere the name of your boat on the stern with vinyl lettering. The day I met Rick he was shit-faced and telling filthy jokes. He handed me one of his business cards which included an itemized list of the services he provided: "Vinyl Lettering, Wood & Billboard Signs, Airbrush & Pinstriping | Auto, Truck, Boat, & Van, Banners, Auto Graphics, Wood Signs, Parquet floors and Belly Rolls". I didn't know what "Belly Rolls" were and when I asked him, he lifted his shirt and started rolling his belly. The guy was hilarious.
Because I lived on the cove I would see him from time to time, usually just a wave and sometimes a quick belly roll.

Rick was an alcoholic and he was going through a bitter divorce battle. It was soon followed by a bitter custody battle over his only son. He lost everything in the divorce, including custody of his son, Rick Jr. His drinking became worse and there were nights when the police had to break up domestic altercations on his ex-wife's lawn. A restraining order soon followed. His ex was so bitter over it all she threatened to legally change the name of their son Rick Jr. to spite his name-sake...eventually she actually went through with it. Her son's name was legally changed from Rick Jr. to Scotty. needless-to-say, Rick Sr. was pissed but there was nothing he could do in the courts, he no longer had custody. He had no say.

...Or did he?...Rick Sr. changed his name to Scotty too. Brilliant! His wife still lived on the cove with her son and to spite her he made it his mission to re-name the cove, "Scotty's Cove". To boat owners who were docked in the cove, he offered discounted vinyl lettering if they allowed him to add the words, "Scotty's Cove, Winthrop, Mass" on the stern. On the route 145 road signs that lead through Winthrop he added in small letters, "Scotty's Cove 1 mile". That's true. If you're ever in Winthrop on rt. 145, take a close look and you'll see the words..they're still there. Eventually boats all over town had "Scotty's Cove" written on them and it soon began to be known town-wide as Scotty's Cove. His Cou'de Gra came when "Scotty's Cove" found it's way on to an official Winthrop, Mass map.

Several years later, Scotty Sr. passed away in his lawn chair in his front yard on the 4th of July. Independence day.

Wednesday, March 11, 2009

David Baker (1941-2009)


My Father-in-law passed away three days ago..I'm profoundly saddened, sick over it and simply still cannot believe it. He was a salt-of-the-earth goof-ball and I loved him and miss him already and can't believe I'll never see him again.

He had back pain just after the new year and an MRI revealed that he had a metastatic tumor that was spreading rapidly. My poor wife was the one who told him..how horrifying?! Less than eight weeks later he died in Exeter hospital surrounded by his family and friends. I just can't wrap my head around how quickly is all transpired..all of this.

Five of my favorite David Baker memories:

1) In 1998 I bought an engagement ring and decided I was going to ask Alison Baker to marry me just after the new year..and in the tradition of courtship, I was going to ask her father David for permission to marry his daughter. At that time I worked as a chainsaw sculptor, carving bears and eagles on Cape Cod, it was a very cool job. My plan was to trade one of my carved bears for his daughter. David had a great sense of humor and was a woodsman and I knew he would appreciate it. I snuck the bear into his basement and the exchange went something like this:
Me (standing next to the bear trying not to laugh): In the tradition of the pioneers who traded skins, furs and pelts for the Indian chiefs daughters, I would like to trade you this fine wooden bear for one of your squaws.
David: which one?
Me: The medicine women (Alison was in medical school at the time)
David: I'll give you Kristen (Alison's twin sister)


2) David came to visit Alison and I when we lived in Philly and he was bragging about his artistic ability and how he was going to switch careers and become an artist. He wanted an honest critique of his art and showed me a stick figure drawing of a bird. I played along and gave a rave review and agreed that he should switch careers and hang up the fifty years he worked as a fire fighter and sell his tree service that he owned since 1967. We had a brief chuckle, he flew back to New Hampshire and I never gave any more thought to the stick bird. A few days later as I poured a bowl of cereal for myself a piece of paper with a stick bird drawing on it fell into my bowl. Dave tucked it in the box before he left..I phoned him, we had another chuckle, I thought it was over. The next day Alison was reading a book and a stick bird came out of one of the pages..another one was found wedged between the stacked dinner plates..another in my sock drawer, underwear drawer, several shirt and coat pockets, shoes, utensil drawer, cups, mugs, countless books, etc..we would find them weeks, months and even years later. The last was about two years ago wedged in the pages of another book. The later we would find them the funnier it became.."Oh my God, Alison, I found another stick bird, the man is nuts". He later revealed he thinks he made over a hundred of them and spent hours making them. I've never more looked forward to finding another one.


3) The day we moved back from Philly, David was so happy to have Alison home in new Hampshire again..he spent a large part of the summer mowing the words, "WELCOME HOME ALISON" in a grass field behind his house. It was about a football field long..not kidding.

July, 2003: Alison standing in the middle of the "Welcome Home Alison" field. David had lifted me in his bucket truck to take this photo.

4) Blueberry picking in his secret spots...I had only picked blueberries on mountainsides prior and didn't realize his secret spot was chest deep in a blueberry bog..great fun though..we got gallons.

5) Target shooting competitions in Davids woods..the targets were bear bottles and he would sometimes call me asking to help him make targets. He was a better shot than I was and I suspected he would would sometimes dog it and lose on purpose to make me feel good..I didn't care, I just genuinely enjoyed his company and being with him.

I miss you David.

Sunday, March 01, 2009

Baseball #5


Pitchers and catchers have reported for duty in Florida so it won't be long before I'll be haggling with a scalper outside of the Cask n'Flagon for an obscenely expensive Red Sox ticket. I can't wait. This painting has had me in the spirit lately.

Someone had seen my miniature painting called "October" and commissioned this slightly larger (4x6") painting of the same ball for her husbands birthday. it prompted me to do a few more original baseball compositions which I'll be posting later this week.
This is "Baseball #5" (4x6") Oil on wood panel.

Sunday, February 15, 2009

More work in progress


I thought I would post what I've been up to in the studio these days. I've had to skip several studio days to attend to family matters but I did manage to get to a lot of under paintings and works-in-progress. Today, I'm posting the monochromatic under-painting of an 18x24" version of a painting study called "Ol Red". you can see a little of my set up in the foreground of the photo, I've decided to leave it in and chat briefly about my process, tools and pallet. That small bottle of light-brown colored liquid on the lower left is a nip of Baileys Irish Cream. Just kidding! Thats my bottle of Alkyd medium; Liquin. I use that in the early under painting stages to help the paint dry quickly. I'm using a wood pallet these days but I also use a glass one at home. My colors have been about the same for the last three years..from left to right as you see them layed out on my pallet are Titanium White, Cad Yellow, yellow Ochre, Raw Umber, Cad Orange, Burnt Umber, Cad Red, Aliz Crimson permanent, Dioxozine purple, Ultra Blue, Cerulean Blue, Cad Green Light, Permanent green, Viridian, Sap Green and Ivory black. Not shown are the colors I was using to do this under painting: Winsor & Newton Under painting white, Mars Black and Raw Umber. I had my full pallet out just in case I was feeling audacious..I wasn't. I use a lot of different brushes but for the under painting I use hog hair bristle brushes (various brands) and a few sable varieties to soften edges. I don't use any turps or add oils at the under painting stage. Actually, thats a lie..After I seal the charcoal drawing of the boat with a spray fixative I apply a "whisper thin" coat of refined linseed oil to the entire canvas to improve even flow but thats it! Then I cover the canvas with a thin layer of Raw Umber and use a rag to wipe away my lights. I build up the lights further using the under painting white. this keeps my lights opaque and thick while maintaining thin and transparent darks. I work the darkest darks with a thin wash of Mars Black. Thats it really. I'll chat more about my process when I post the next image of the progress of the above painting.

I put this work-in-progress painting in a frame and set it on an easel by my work station so I could sneak peaks at it throughout the day..hoping to find resolution to the issues I posted last time. I got some creative emails from some friends of mine..my old college roomate Dan sent me back this image with a shark fin behind the boat. The truth is, I'd love to go with that one but my brillaint frined Beaman suggested I crop it..I may go that route.

here is what my set up was like while working...you can see some of my really cool studio too. I'll try and post a panorama of my studio in the future, I absolutley love working there.

All the best for now.
Todd

Sunday, February 08, 2009

Work in progress


I have been busy on several compositions that are currently in several different stages of completion. This is an 18x24" oil painting in my studio that I still have to resolve..that vacant upper left corner gives me the hee-bee-gee-bees..it's just unsettling. I'm going to put it in a frame and set it on a nearby easel and get cracking on something else. I'll let this marinade while in my periphery for a while and hopefully a resolution will come from being away from it for a period.

Tuesday, January 13, 2009

The Lake


This is another one of the Larger (large for me) paintings I recently finished and am just getting around to photographing and posting. I called this "The lake", it is 18x24" oil on canvas.

I'm looking forward to the spring and summer to get out to the lakes and do more paintings of the shallows and shores. The variety of colors and textures in lake water imagery is stunning and makes for endless subject matter.

For me, this paintings success relied on depicting the rocky shallow water and getting those beautifully rich, earthy colors that make it distinct.

Monday, January 12, 2009

Pony


I painted this Pony for my four year old niece Emma as Christmas gift. It's 4x6" and is oil on linen, mounted on panel.

A different subject matter for me but Emma has been asking me to paint her a Pony since the spring..great fun knowing that it was for her.

Monday, January 05, 2009

The Humble Trapper (30x40")


I finished this larger version of "The Humble Trapper" painting in December and I am just getting around to photographing and posting it now. It's the largest oil painting I've done to date at (30x40"). It was a lot of fun to work at this larger scale for me and I've already gessoed another 30x40" wood panel with the intention of doing another.

This painting is currently available (please email me at tmbonita@gmail.com for price).


"The Humble Trapper" (30x40") Framed.
I'm standing next to the painting to show it's scale. I may go even bigger before the year is out..

Thursday, January 01, 2009

Web sight update


Happy New year! My web sight was just updated with new images to start 2009 off fresh. Thank you Wade Settle for your work on this. You can contact Wade at: wsettle@gmail.com if you would like some web sight design of your own. Click here to go to my web sight: Toddbonita.com

Sunday, December 28, 2008

Colour, Obsession, Joy and Torment (New book)


I'm proud to have a page in the beautiful new Daily Painters book colour, obsession, joy and torment. Priced at $39, the 165 page book is 8" x 10" and features over 500 images by 146 artists from around the world.

Follow this link to learn more about it at Dailypainters. You can also order direct from Amazon.com or Createspace.com.

Friday, December 19, 2008

Max sketch


This is a sketch I did for a painting of Max that I hope to finish before Christmas..it's a gift for Alison..it's charcoal on a piece of gessoed and sanded wood. I don't want to rush it so we'll see what happens. I'm going to start an under painting right over this drawing and then lay some color down when it dries.

Tuesday, December 16, 2008

Down East


I titled this painting, "Down East" because it reminds me of the Great state of Maine. More specifically, the wonderfully gritty and earthy, blue-collar, hard-working, sea-fairing Maine. The mud, the fog, the muddy-water stain on the side of the boat, the seaweed hanging from the rope, the tattered buoy and overall weathered mood..it's all in there..wonderfully-gritty Maine.

This is a larger painting for me these days, it's 18x24" and painted on canvas. My tribute to the Pine Tree state deserved a grander scale. If you read this blog, you'll note that this is a larger version of a small study I did in September called "Muddy Cove Dory".

This new version was part of my recent open studio art show at The Button Factory. Fun weekend with a nice fix of friends, family and art. I met a lot of people and I am extremely grateful for all of your nice comments and kind words.

I'll post some of the other paintings from the show this week. thank you for looking. All the best,
Todd

"Down East" Framed (18x24")

Sunday, November 23, 2008

Button Factory Open Studio 2008



I rent an art studio space at the Button Factory in Portsmouth, NH and they are having their annual "OPEN STUDIOS"..woo-hoo...the 22nd year. this will be the second time I will participate and if you are reading this you are invited. Please come if you can, it's a very cool thing to do on the first weekend in December. I've got a bunch of paintings I'll have on the walls and there are over 70 other artist to see in the building..tons of art..a very good time. Wine, cheese, art and laughs...a fellow couldn't ask for anything more.

I'm posting another miniature painting along with a copy of the Open studio invite. The Miniature doesn't even have a name yet...lets call it "Cow #3 until further notice. It's only (2.5 x 3.5") oil on wood panel. I framed it with a very cool little frame I bought on Ebay. If you would like to purchase this little painting for $100, I will sell it to the first person who emails me at tmbonita@gmail.com.

I will be having an online pre-sale next week for subscribers to my oil painting blog.
I will give subscribers a first look at the new works and an opportunity to purchase the paintings that will be in my Open Studio show in December. If you would like to be on my oil painting email list and be part of this pre-sale, please send me an email at tmbonita@gmail.com with "subscribe" in the heading or body of the email somewhere.

thanks again for looking and I sincerely hope to see some of you at the Open house..please introduce yourself and have a glass of wine with me.

All the best,
Todd Bonita

Thursday, November 06, 2008

Ready


I finished this 8x10" oil painting I'm calling "Ready". It feels wonderful to post again..I feel like I've neglected an old friend by my absence. I've just been swamped with work and life and simply didn't find the time to post. I've got a bunch of things in progress that I would love to put up here and ponder..I just need to find some time.

Wednesday, October 15, 2008

October


"October" (2.5x3.5") Oil on wood

Thats right, just two-and-a-half by three-and-a-half inches. I started this as an experiment with paint..trying out technique and exploring the medium on the smaller scale. I can accomplish experimentation faster this way.

I'm calling this October for the obvious reason that the image is a baseball and October is what it all comes down to in the American past time. This worn out ball pretty much sums up the season by the time October rolls around..injuries, emotional roller coasters, wins and losses, etc..it's all in there. If Red Sox fans look closely, you can see the scar from when the Sox traded Manny earlier in the season. it's right next to the series of scars left by Ortiz, Lowell, Beckett, Ellsbury and the severe beating handed down by the Rays. Not to mention the late games and the five and a half hour marathon game over the weekend that anti-climaxed in a late night (early morning) Sox loss.

Anyhoot, I've got my fingers crossed for a Red Sox come back of gargantuan proportions.

Tuesday, September 23, 2008

Through the Heart


I finished this small oil painting that I'm calling, "Through the Heart". It's another small wood panel painting, (4x6"). I've been in a poker frame of mind lately..My brother is a professional Poker player and was recently in The World Series of Poker tournament in Vegas this past July. He (O.K. a glimpse of the back of his head) was on ESPN Tuesday evening, he was playing poker at Ray Romano's table (from "Everybody Loves Raymond"). He's a phenomenal gamer and extremely competitive..perfectly wired to be great at Poker. I would lose my shirt...What am I saying...I chose to be an artist and lose my shirt at the easel instead. I don't think my brother or I would have it any other way.

I was told early on that if you want to be an artist, be prepared to have the life and blood sucked clean out of your heart and soul. ("Oh my God, relax dude, I just want to paint some cool pictures")...As dramatic as it is, there is probably some truth in this statement for anything that you put your heart and soul into. I swear my brother has a few more gray hairs in his head upon returning from the World Series of Poker.
Some days you get the Bear..and some days the bear gets you.

This painting is about the days when the bear gets you. I got an email from someone asking if there were visual religious references here..(A spike through the heart...stains that maybe suggest the shroud or Turin or dripping blood) hmmm, no, I don't think I'm that deep..honestly. I really do just want to paint some cool pictures. I liked the aged surface of the wood and the worn playing card. Weathered and tattered textures appeal to my interest in objects that suggest ambiguous narratives. Great fun to paint.

Monday, September 15, 2008

Highlights Hi-Five "Riddle Me" Illustration


I just finished another small assignment for Highlights Hi-Five magazine. This one will be in February 2009 issue I think. It will accompany some text that will challenge children to come up with riddles for things they find in my illustration.

I love working for this company, very professional and great fun.

Thursday, September 11, 2008

Robert J. Foti (1959-Sept 11,2001)


This is a drawing from my sketchbook of Robert J. Foti. It's my way of taking some time to draw and reflect on the faces of the people who lost there lives on 9/11. Robert Foti was a firefighter with Ladder 7 and responded to the World Trade center on September 11, 2001. He perished in the collapse of the south tower, his remains have never been found. I didn't know him but have been reading some heart felt words about him from people who loved him dearly. I read that when Robert was 12 years old he saved a boy from drowning on Lake Hopatcong. It seems he was destined to devote his life to serving and helping others. He served so bravely and gave the ultimate sacrifice on 9/11. Robert J. Foti is in my thoughts today.

Tuesday, September 09, 2008

Muddy Cove Dory


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"Muddy Cove Dory" (4x6") Oil on Wood.
I finished this small oil painting I'm calling "Muddy Cove Dory". I took a short drive along part of the Maine coast about two weeks ago, looking for something to paint and I almost got whip lash when I drove by this dory sitting in the mud in an Ogunquit, Maine cove. This is just the kind of imagery that excites me lately. The filth, the mud, the fog...sweet love.
I pulled the car over and glopped through the very wet and sticky mud out to this dory and immediately thought of a story that's haunted me for almost eight years. I watched a TV show that reenacted the real life tragedy of a young girl who died when her feet got stuck in some mud flats. She drowned when the water eventually returned to the cove where she was stuck. How horrifying. She was a newlywed. She and her husband were going across these mud flats in an ATV when it's rear wheels became trapped. They got out and tried to lift the wheels out, that's when she burrowed her own feet deep into the mud. The more she tried to loosen the grasp, the more it swallowed her. Her husband went for help as the water began to come into the cove ..emergency personnel arrived and tried all day to free her. They became more desperate as the water slowly rose. The emergency team almost became stuck themselves, it was a real nightmare. When the water rose to her chin they gave her a tube to put in her mouth and attempted to raise it out of the water like a snorkel. Her head eventually disappeared under water. This was Alaska. Even though it was summer, the water is frigid. The tube eventually popped up and eerily floated away. My God..The horror.

Wednesday, September 03, 2008


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"Blue & Red Oars" (6x4") Oil on Wood.
Just finished this small oil painting that I'm calling "Blue and Red Oars". The more I look at Andrew Wyeth's work, the more I discover and appreciate his affection for filthy surfaces. He tells the truth in his paintings, nothing saccharine sweet or hokey...instead, lots of filth and reality. Like it or not. Rembrandt did that too. Reality and truth were important to him and it shows in his work. In his early self-portrait etchings he knew he was ugly and portrayed himself with an almost humorous, self-deprecating acknowledgement. How can you not get on board with this kind of honest approach. I write this because I've discovered something about myself as an artist and art appreciator. The pictures that have always turned my head or paused my breath have been the ones that portray this honesty to some degree. I think it's why my subjects in my recent paintings are getting filthier surfaces. I didn't realize it until I scrolled through my blog. There is something really beautiful in filth.

Tuesday, August 26, 2008

Bosc Pear



"Bosc Pear" (6x4") Oil on wood panel.
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Tuesday, August 19, 2008

"Vrooom" (Tin Blue Car)


""Vrooom" (4x6") Oil on Masonite.

When I posted my oil painting of the red toy car "Vintage" last month, my friend Nina sent a comment that said, "Vrooom". I said to myself, "That would have been a much cooler name for the painting". Thanks to Nina's comment it became easy to title this one.

The rusty paint-chipped patina is what originally attracted me to this subject. To me, it suggest the stories and history that lie deep in the venerable spirit of this object.