Max (underpainting)

Here is an under painting of my boy, Max. He's awesome! This is painted from a reference photo that I took when he was about six months old (artist note: there is no chance of him sitting still and posing). He's 9 months and some change now, growing fast and tall, already had five stitches, he stands and even sais a few words..(Papa, Mama, Hi) he keeps his mom and dad very busy.

This is a small, round painting, slightly less than three inches. I cut this circular piece of luanne wood by hand to fit an antique frame I bought on Ebay. This is a gift for Alison's birthday tomorrow (it wont be finished in time but that's ok) I want to do a bang up job on it and take my time. As you can tell by my infrequent post that my time is limited these days.

I hope you are all well.

Scotty's Cove dinghy (under painting)

I've been very busy raising my little guy and being a stay-at-home dad. As a result, I failed to notice that this under painting didn't post..so, shazam!..here it is. This is "Scotty's Cove dinghy". This piece represents my effort to paint some larger works, it measures 16x20".

The Passageway (finish)

"The Passageway" (14x11") oil on canvas.

The Passageway (underpainting)

I've been tinkering with this oil under painting of a room interior that I'm calling "The Passageway". This piece is for a project for an upcoming show at The Woodsum Gallery in Warner, New Hampshire called, "Elegant interiors and exteriors". The gallery asked about 20 artist to do interior and/or exterior paintings of some of the historic houses in Warner, NH. The finished works will be on display at the Woodsum gallery on September 28 through November 08.

A few weeks ago I was introduced to and welcomed into the home of Anne McNamara, the fairly new owner of a historic house on Waterloo street in Warner. I took a ton of reference photos and settled on this composition for that dramatic light and the simple design of the architecture. It has a story telling quality to it..I swear I can almost see the ghosts of the generations of people who passed through this corridor, coming and going, scuffing up that floor. Those same four panels of light coming through the windows have been spotlighting that floor every morning for centuries.

I've been re-inspired by an Andrew Wyeth book I recently bought so to me, it was no surprise that this particular image stopped my eye. I love the mood of it.

Kathleen Nicosia (Remembering 9/11)

Kathleen Nicosia
was a flight attendant on American Airlines Flight 11 on September 11, 2001. I didn't know Kathleen but thought I would take the time to sketch her and remember that day. I read that she lived in Winthrop, Massachusetts for 32 years. I lived there for over twenty years myself and I wondered if we ever crossed paths in that small town. God bless her, her family and all the victims of 9/11.

Ball Player #4 (sketchbook)

click image to see larger
This is one of my favorite months because of the weather, the anticipation of fall and the thrill of the Baseball season heating up before October. I've been sketching this ball player while watching the sox games in bed this week. I'm still reeling from the no-hitter earlier in the week by Clay Buchholz..most exciting game I've ever watched, no kidding. I don't even know this kid but I'm so happy for him.

Anyhoot, "Ball Player #4" looks like he's got one of those cool, old time nicknames like, Willie "Hit 'em Where They Ain't" Keeler.

Pacific Yachting Magazine feature

click image above for larger view

Toot-Toot! I'm tooting my horn today because I just received this months issue of Pacific Yachting magazine in the mail and there is a feature on "Boat stories and Art" (The enduring quality of boats and there inspiration to artist). The article includes the art work and short essay by this painter from Greenland, New Hampshire named Todd Bonita...wait, thats me, how cool!

Back in March I responded to Robert Genns Twice weekly letter, a websight forum for fellow artist. the topic was about artist and there love of painting boats. Jeffrey Briggs, the editor of Pacific Yachting magazine happen to read the letter and made a magazine feature out of it that includes fourteen artist from around the world who paint boats.

The feature has a nice color reproduction of one of my paintings and includes my post as it appears on Robert Genns sight. I'm jazzed! Many thanks to Robert Genn and Jeffrey Briggs.

Ol Red

I finished this small dinghy painting last night that I'm calling' "Ol Red". He looks like he's been around the block a few times and his sides have been banging against the dock for a few dozen seasons. He could tell you tales, sing shanties and match you shot for shot at the Sea Snatch Inn whiskey bar by the docks. He's a hard worker. He's the goods.
but I digress...(The author would like to take a moment to recover from his own babbling tomfoolery). Thank you.
I experimented with a thicker under painting with this piece, using under painting white and Burnt Umber Alkyd (both are quick drying and allow for a thicker and more stable surface and an opportunity to establish texture early on). I also used Galkyd light medium (also quick drying) which allowed for many layers of glazing in a short period of time. I did this piece relatively quick (for me) and will continue to explore this process.
Now if you'll excuse me, I'm off to the Sea snatch Inn for a whiskey.

Marlon Palladino (8 Year old artist)

My friend Tommy has an 8 year old son named Marlon who has been doing some extraordinary paintings with his mom Arika and has recently shared them with me and WCCO channel 8 in Minnesota. I think he's on his way to not only making some great art work but also becoming a superstar, no kidding. This is a recent letter from Tom and a link to Marlons web sight and WCCO feature:

"I have been holding out on spreading the word about the paintings that Marlon
and Arika have been doing this year, so I am sending out the good word
to you now. Marlon has been doing paintings with Arika for a long time,
but in the last year they have gotten more serious about their work.
They have done over 100 paintings, most of which were on display at an
art show in June that attracted about 200 people (mostly friends and
family) and at which they sold almost 60 paintings!

They have a website at

MarlonsHands.com

that I welcome you to check
out. Please send Arika and Marlon a message from the site when you
visit. Marlon loves the feedback. Forward the link to whomever you
like.

WCCO Marlon Palladino feature

Cape Cod Art Association

I was juried into the Cape Cod Art Association as an "Artist Member" today..a nice birthday gift to myself, (I'm 39 today).


I drove down to Barnstabe, Mass on the Cape (About a three hour drive with Friday traffic) in my 1999 Toyota Corolla with the broken air conditioner..did I mention it was like 378 degrees today. No, seriously, it was about a hundred, no kidding. Barnstable is where the Art association is and I had to pick up my paintings from the jurors. One of them whispered to me.."I'm not supposed to say anything, but you got in..they'll send you a letter in a week..congratulations". I was thrilled but I also was suffering from heat exhaustion and had to cut my Cape Cod trip short and drive home. Still not kidding.

Wind Talker

I just finished this oil painting of a sail boat I'm calling "Wind Talker". This is loosely based on a photo I took of a very cool crafted sail boat in Provincetown last year. This piece represents my new effort to add more color into my work. I used liberal amounts of audacity when painting the sand that screaming orange color. It was fun to let go of the desire to match the color to nature exactly.
"Wind Talker" (6x8") Oil on gessoed wood panel.

(click on image for larger view)

To the Mother Ship

I finished this small oil painting I'm calling, "To the mother ship". This lobster man is rowing his small boat from the shallows to his larger vessel, presumably moored in deeper waters not too far away.

This is loosely based on a photo I took of a fisherman about a year ago in a harbor in Rockport. I made this guy a lobster man in my painting and added the orange jump suite to compliment the blue of the water. I was perched above him on a rock jetty and watched him work that single oar like a champ, he was cookin but made it look casual. What a cool way to commute to work.

"To the Mother Ship" (6x8") Oil on wood panel
(Click image for larger view)

Featured Artist @ The Art House Gallery

Joan Orr of

THE ART HOUSE GALLERY(Brewster, Mass)

has featured me as her artist of the month. She also reports that I'm on pg27 of "Along 6A", the Cape Cod magazine that features galleries and artist. Nice!

The Humble Trapper (Finish)

I finally finished this oil painting I'm calling "The Humble Trapper". It's oil on gessoed wood panel. (6x8")

The Humble Trapper (Under painting)

Naming paintings has never come natural to me, it always seems laborious but I feel satisfied about "The Humble Trapper". This image is based on a photo I took in Chatham harbor down the cape of a Cod fisherman returning from a bad day at sea. I was taking pictures of the harbor at sunrise and I heard the tired paddle of this defeated oarsman. It wasn't even 7am and this poor old salt already had a bad day.

I snapped a few photos of him hoping he wouldn't notice and without looking at me he said, "I would have said yes if you asked me". I immediately felt small like a cheap paparazzi. That's when my mouth opened and I replied, "I'm gonna make you a star"...I hated myself even more, what a tool, I think I was trying to be funny and diffuse the tension,...nice one Todd! I was nails on a chalkboard ruining the serenity of a placid Chatham sunrise. He did warm up and tell me how horrible his fishing was.

In my painting I made him a lobster man and added an old trap in the back of the boat. His reflection in the water will be key to the success of the finish I think. He's slowly rowing back to shore with an empty trap, looking back to the sea reflecting on the absence of his catch and maybe thinking about tommorow. This under paintng is raw umber on a gessoed wood panel that I glazed with a warm acrylic wash.

Green Apple

I just finished tickling this small Green Apple painting. I think I'm becoming more comfortable with this working method of using glazes on top of my wet-in-wet paintings. I finally found a surface I'm happy with too, which is gessoed wood panel. I like this texture I'm getting by putting the gesso on with a roller (three layers, lightly sanding between each). it gives it a little tooth and textural look and makes blending smoother. Nice.

"Green Apple" (6x4") Oil on gessoed wood panel.

Baseball #2 (finish) Click here to bid

I finished this painting last night while listening to the Red Sox game, very inspiring. They lost to Cleveland but are on a tear right now and are the hottest team in the majors.

On this painting I've altered my working process to fit with my current lifestyle, which is part-time-stay-at-home dad. As a result, it makes more sense for me to work a painting in stages, stealing moments when Max is napping. I did a wet-in-wet painting of the ball over the monochrome underpainting. When that dried, I used glazes of oil color mixed with Liquin to noodle this Baseball to a finish. Liquin is a gel medium that thins the paint and is perfect for making glazes with oils.

baseball #2 (underpainting)

I did this under painting of a "Baseball" in a small box using only raw umber and ultramarine blue oil paint. The light is the white of the gessoed wood panel. I simply thinned the paint with gamsol (odorless mineral spirits) and laid it on almost like I would a watercolor, preserving the lights.
This is another study of items I've been placing in a small box for the purpose of capturing dramatic light. The objects seem to emerge from the darkness within the box if I light them correctly. I hope I can keep this spirit when I add color.

Cerulean Blue

Whats shakin?! I finally found some time to sneak down the studio and slap some paint on this little canvas of a tube of "Cerulean Blue" paint. I'm hoping to get outdoors and do some plein air painting soon.

The Mooring Ball

Max is napping so I have a few minutes to post this oil painting I finished last night. I just started being a stay-at-home dad three and a half days a week so painting and drawing time will be a little more limited. Not complaining, I'm having the time of my life with my little man.

I'm calling this painting "The Mooring Ball". In this quiet boat sitting by the dock, the mooring ball seems like an after thought. (8x10) Oil on Linen canvas mounted on wood panel. This one is off to the the Art house gallery in Brewster.

I hope you are all well. best, Todd